Northanger Abbey (Norton Critical Editions) This Norton Critical Edition is the most extensively annotated student edition available. "Criticism" collects thirteen assessments of Northanger Abbey from a wide range of voices and periods, including essays
TITLE | : | Northanger Abbey (Norton Critical Editions) |
AUTHOR | : | |
RATING | : | 4.79 (187 Votes) |
ASIN | : | 0393978508 |
FORMAT TYPE | : | Paperback |
PAGES | : | 384 Pages |
PUBLISH | : | 2004-10-06 |
GENRE | : |
Northanger Abbey, written in Jane Austen’s youth and posthumously published, is arguably her most mysterious, imaginative, and optimistic novel. This Norton Critical Edition is the most extensively annotated student edition available.
"Backgrounds" features material carefully chosen to enhance readers’ appreciation of the novel, including biographical commentary, early works and correspondence related to Northanger Abbey, and excerpts by Ann Radcliffe, Frances Burney, and William Wordsworth, among others, tracing Austen’s connection to her Romantic contemporaries.
"Criticism" collects thirteen assessments of Northanger Abbey from a wide range of voices and periods, including essays by Margaret Oliphant and Rebecca West and critics Patricia Meyer Spacks, Claudia L. Johnson, Lee Erickson, and Joseph Litva
EDITORIAL :
Though Northanger Abbey is one of Jane Austen's earliest novels, it was not published until after her death--well after she'd established her reputation with works such as Pride and Prejudice, Emma, and Sense and Sensibility. Of all her novels, this one is the most explicitly literary in that it is primarily concerned with books and with readers. In it, Austen skewers the novelistic excesses of her day made popular in such 18th-century Gothic potboilers as Ann Radcliffe's The Mysteries of Udolpho. Decrepit castles, locked rooms, mysterious chests, cryptic notes, and tyrannical fathers all figure into Northanger Abbey, but with a decidedly satirical twist. Consider Austen's introduction of her heroine: we are told on the very first page that "no one who had ever seen Catherine Morland in her infancy, would have supposed her born to be an heroine."
REVIEW :
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